Let’s talk about influences, training, and collaborators.
You may have seen commercials for the new FX series, Fosse/Verdon.
The show seems to be a passionate drama that follows the complicated relationship between the pair while documenting the iconic work they created, both on the stage and the screen. If you’re planning on taking a look, you might want to dive into a little of Fosse’s background so you can truly appreciate the show.
For those of us representing the Midwest, you will be pleased to hear that Fosse was actually born in Chicago, IL- only a few hours from our little town of Bloomington. His full name is Robert Louis Fosse, and he was born on the 23 of July, 1927. Like many artists, his artistry was nurtured by his parents, as he was the son of a vaudevillian. He was one of six children, and although he struggled with many health programs his talents in dance were recognized early on and he was enrolled in formal lessons. He started dancing professionally at the early of of 13, in vaudeville and burlesque shows at local nightclubs. This sexually free atmosphere heavily influenced his style as a dancer and eventually as a choreographer as his style is often recognized through its subtle, yet highly sexual and quirky characteristics.
In 1945, Fosse enlisted in the Navy, but as V-Day was declared shortly thereafter he served only his two years before returning home and then moving to New York.
Fosse became widely recognized as a dancer after his appearance in the musical film, “Kiss Me, Kate.” Jerome Robbins and George Abbott took interest, and acted as mentors as he began to choreograph. You can also observe remnants of Broadway choreographer Jack Cole on Fosse’s distinct style, and Fosse’s taste in design- including slim black costumes, white gloves, and hats- speak to Charlie Chaplain. Other influences on his choreographic choices also include Micheal Kidd and his competitive relationship with Micheal Bennett. As Fosse also began his dance training with tap, Fred Astaire also held influence over Fosse’s work.
Fosse! 